The daughter of uncompromising Ukrainian immigrants, Nadia was raised to respect guts, grit, and tradition. When the events around the seemingly accidental death of her estranged godfather don’t add up, Nadia is determined to discover the truth—even if she attracts the attention of dangerous men intent on finding out what she knows through any means possible.
Her investigation leads her to her hometown and to the people least likely to welcome her back: her family.
In this thrilling prequel to the Nadia Tesla series, Nadia must try to solve the mystery surrounding her godfather’s death—and his life. The answers to her questions are buried with the secrets of her youth and in post–World War II refugee camps. What Nadia learns will change her life forever.
I picked up The Altar Girl via the Amazon First picks deal ages ago. The book sat in my kindle library for a rather long time awaiting the perfect reading mood. That mood arrived after a couple of draining and frustrating weeks. I didn’t want my usual choice of fun and quirky cozy mystery; I needed a grittier mystery that didn’t shy away from the darker aspects of crime. I kept coming back to The Altar Girl.
It was good; it gave me exactly what I needed in a story. Nadia is Ukrainian-American. She is the estranged child of immigrants who is struggling with her muddled sense of identification when her godfather dies. Nadia knows it wasn’t an accident. So she heads home to discover the truth, confront her family, come to terms with her upbringing, and quench her need for a greater purpose.
The Altar Girl gives us a glimpse of two separate points in Nadia’s life: the first is the current hunt for her godfather’s this murderer and the second is her attempt at 14 to be the youngest teenager to complete the wilderness survival test. Stelmach utilizes different tenses in each timeline which adds a subtle depth to Nadia. The stories seamlessly entwine; her memories dragging the reader through Nadia’s modern decisions and illuminating the familial issues that haunt her.
All of the characters were fantastically developed as Stelmach doesn’t shy away from flawed and twisted traits. Nadia struggles with the guilt of no longer being a good child. Her mother twists the truth, manipulating her children in a sick expression of self hatred. And Donnie deserves his own character case study!
The Altar Girl was a fantastic read. I have a few negative points but they are too nit-picky to discuss here. This book was thrilling, gritty, and somewhat heart wrenching. Stelmach’s subtle writing techniques, such as never mentioning the godfather by his given name, entrenched readers in the unique culture of his upbringing. I loved reading about the history of Ukrainian refugees, their struggle to survive WWII, and the development of their own community in a new country.
I was pleasantly surprised by the gritty mystery full of family drama. The Altar Girl is something I would usually shy away from, but I’ve already picked up the next book in the series. Is anyone else a fan of Orest Stelmach? Let me know what you’re reading!